In a
nutshell – Mood and Tone
So we’ve
covered characters, details and symbolism in this ‘In a Nutshell’ series and as
part of The Bittersweet Vine blog tour. The next two topics I would like to
cover are Mood and Tone.
So what
exactly is tone? They say that when you are having words with someone via text
or email that it is difficult to judge the senders tone and therefore things
said one way can be taken another. You must have experienced this yourself. You
read a text- perhaps an innocent – ‘you weren’t there at Ally’s party.’ Perhaps
the person sending it is thinking I really missed you being there. But you have
had words with this friend before you know what a drama queen she can be, You
imagine that she is talking behind your back with your other friends and you
read the message with a derogatory tone. Instantly you delete this friend from
your list of contacts but later when you meet her face to face you realise it
was all just a misunderstanding. You
also know what its like when you (at a much younger age) answer your mother
Tone is therefore a mixture of two things: attitude and emotional atmosphere.
And, of
course, this tone is dictated by the author. The tone in which you write will
dictate the way the book is ready. Now, you may not have thought about this
before you started writing your manuscript, and all is fine within your book.
You subconsciously may have written in a tone (mostly through the plot- think
suspense, mystery, comedy) and your readers can pick up on this. But think
about it as you edit. For example Chupplejeep is light hearted- its comedy. Yes
there may be dead people and murders but the way they go about solving the case
is quite different. It’s not too serious. It’s an hour or two of entertainment,
there is no psychological mystery that will make you question those around you
like some psychological thrillers do (and what I hope you do when you read The
Bittersweet Vine or Poison in the
Water).
As authors
we need to create the right tone for the reader throughout the story which will
feed into the overarching mood of the book. Why? To prevent misunderstanding
and to signpost readers; tone can help with plot and can move the story along
as well as setting the right atmosphere for your reader- remember you want to
transport your reader to a different time and place when they are reading your
book! (Yes our jobs are so difficult! So much to accomplish in 90,000 words or
less!)
Mood is the
feeling a reader will take away from your writing and more often than not from
your characters and their point of view. When you write from a POV you want the
reader to get inside that character’s head and therefore the reader will take
on their mood. If your character is a happy go lucky character you will have
something quite joyous and light hearted in that part of the book. If your
detective is depressive and temperamental then the mood of that part of your
chapter will be sombre. The mood can change from chapter to chapter and I think
it’s quite important to have various moods throughout the book (why? It creates
more drama, more tension and remember for some authors it’s about taking their
readers on an emotional rollercoaster).
In my last
nutshell post we talked about atmosphere being reflected through the weather.
We can use this example again to set mood. Thundery weather = a bad mood. Rain
= tears (well not so clichéd but you know what I mean). The words you use will
also affect tone. For example if your character is down beat and uses negative
words – you will create a negative mood!
Tone and
mood will contribute to the atmosphere of the book and when you are hosting a
party you want the right atmosphere (you want guests to be happy and have a
good time)- it should be the same when you write a book- you want your readers
to feel certain emotions- happy, sad etc. The tone and the mood you create will
affect the atmosphere of your book. Have a think about the mood and tone of
your book as it’s another element that may get you that agent or make those
sales! It is also a good to be aware of this in regards to genre writing. If
you are going for a mystery or thriller you need buckets of tension and
suspense – red herrings and dark alleys and only you, the writer can create
this!
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