I hope you enjoyed reading my previous blog post as part of the My Writing Process Blog Tour. Be sure to check out the writing process of @Martinlastrapes and @timarnot on their blogs too. Their writing process should be published on their blogs today so check out my last blog post for links to their sites.
Another
article from the Crime Writers Association Newsletter caught my eye and this
time it was written by psychological thriller writer, A J Waines (www.ajwaines.co.uk). In this issue she
wrote about the importance (or not) of the setting of a book. This Friday at
the Daunt’s Book festival in London they had an interesting talk about location
and setting in novels. Sadly I will miss it. However Waines article gave me
something to ponder. She mentioned how the Nordic and scandanavian crime novels
have a great setting geographically. Like I have said before you can’t help a
bit of weather to help create atmosphere and the culture of a place can link into
the way a crime is solved (Think of the Italian laid back Montablano and the
Ladies No.1 Detective Agency compared to CSI and Morse – they all draw on their
locations as to how the crimes are solved ) but Waines goes on to say that you
can create atmosphere anywhere. The geographical setting doesn’t have to be
paramount to the story.
This is
true. Although I do like to have a setting. Especially if it is exotic. As a
child watching Poirot on his adventures always enticed me. Evil under the Sun
with Peter Ustinov is still my favourite Poirot! – Goa is a big part of my life and a big part
of The Chupplejeep Mysteries – after all the series is set in one of the local
sleepy villages and to me this setting makes the novel what it is. By using Goa
as the setting not only do you get to explore the local cultural nuances and
the behaviours of people (which I can assure you is very different to anywhere
else I have seen) but you get to go back to a more simpler way of living, you
get to explore themes that would be relevant to your reader but in a different
cultural context, for example how people perceive adultery, murder and so
forth.
If you have
only ever written books set in one location perhaps write a short story set in
another. This is a fab writing exercise. I had great fun doing this for Indian Diaries and perhaps I will do the
same when I am off on my summer holidays somewhere in the Med this year.
Also on an aside note I went to the Oxford Literary Festival on new Indian Writing. It was a fascinating interview with two Indian authors Prajwal Parajuly (author of The Gurkha's Daughter and other stories) and Anjali Joseph (author of Another Country). It was fascinating and good to know that Joseph reads self published authors recognising that there is good writing out there that has not been published with mainstream publishers. It was interesting to hear about the pros and cons of Indian writing in English. The stereotypes that litter such novels (Typical of Chupplejeep I suppose), but good to know also that the stereotypes sell also. That is what the market wants. I suppose stereotypes do exist - and something like cosy crime which is what Chupplejeep is lends itself to this type of stereotyping. ANyway it certainly gave me something to think about in regards to The Chupplejeep Mysteries!
Also loving The Book Thief which I am currently reading. If you are looking for a good book to read then give this a go!
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